Artist Bios

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Bass, Jeremy (music, Olsen Terror) - is a singer, guitarist, composer, poet, and teacher. His diverse musical interests take him from rock clubs to concert halls. Olsen Terror is his first musical. This Spring marks his Carnegie Hall debut as one half of Duo Empyrius.
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Campbell, Mark (States of Confinement) -
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Feldman, Michelle (book/lyrics, lovesick) - a Texas transplant who has dabbled in writing, singing, programming, and working for evil monopolists, Michelle has written a jazz play, High Standards, and pop songs for a local label. While acting as DP Veteran Series house manager and assistant curator for the WNFB Festival in 2004, Michelle co-wrote and directed The Merry Swinger Show, a short musical farce setting the 2000 election scandal in the guise of a raunchy talk show. She is also curator of this year's WNFB festival.
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Ginsberg, Rose (direction, Wake Her Up) - studied modern European history at Barnard College but spent most of her time in various blackboxes. In addition to numerous performing credits, Rose has assistant-directed two shows and directed three. Her production of Michel Marc Bouchard's The Coronation Voyage marked the play's NYC debut. Rose is currently working with Janine on a new production of their rock'n'roll show, The Band Behind the Curtain.
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Gordon, Gabriel (music/lyrics, Pearl's Gone Blue) - a visionary artist in the field of music, is currently
touring Europe performing solo shows and playing with artists like Andrew Roachford. Gordon is recording his fifth album to date for Universal Records. He has toured for years with Natalie Merchant
and will be working with Meshell N'degeocello in the autumn.
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Horne, Lance (States of Confinement) -
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Horowitz, Susan (music/book/lyrics, Doctor Dick) - Projects: Musical: Boulevard X ; Plays: The Golden Heart (1st Prize), Angelface (1st Prize); Screenplay: Planet of the Ticklebops (Cine Golden Eagle); Queens of Comedy (based on interviews with famous comediennes); Read With Me (Children’s Book of the Month Club); Songs: “Sailing” (ASCAP-MAC showcase); Poetry Book: I Am Loved. Susan is an adjunct professor at BMCC. www.drsue.com
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Jackson, Michael (book/lyrics, Only Children) - holds an MFA in Musical Theatre Writing and a BFA in Dramatic Writing from the NYU Tisch School of the Arts. His plays have received productions at Developing Artists’ Theatre Company, the New Professional Theatre, the Henry Street Settlement and the Flea Theatre. He is writing lyrics for a new musical, Menu, produced independently by David Kolatch.
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Jannucci, James (music, lovesick) - Pieces for musical theater include: Empathy, Perfume (presented by All Seasons Theatre Company), and The Merry Swinger Show (which appeared in the WNFB Fesitival in 2004). Other works include: Mass, The Brief Interval of Life and Death, String Quartet, and The Magic Cycle. He studied composition at Columbia University and the Aaron Copland School of Music, CUNY.
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Kess, Mitch (book/lyrics/music, Sad Damn: The Musical (Part II)) - A playwright, lyricist and composer with a political soul, Mitch Kess is pleased to be developing his latest political rock musical at Dixon Place. Past DP productions have included The Universal Mind and Saddamn the Musical. Mitch's work has been produced by The Public Theater at Joe's Pub, Makor, and the Medicine Show Theater. For show excerpts see www.thelastamerican.org.
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Kramer, Leslie (book/lyrics, Pearl's Gone Blue) - is currently expanding her musical Give Me Space, which was produced at Raw Impressions Musical Theater and at Ensemble Studio Theater as part of the Sloan Foundation’s First Light Festival. Other plays include Tennessee Descending, One Dead Soldier and the musical Ophelia and the Players. She is a graduate of The Yale School of Drama.
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Lapine, Sarna (direction, lovesick) - has spent the past decade living in Seattle, WA. She came to New York in February 2005 as the assistant director for the Tony Award-winning Lincoln Center Theater production of The Light in the Piazza. My Saraab, a short documentary that Sarna produced and directed, premieres this winter. Sarna is currently working towards her MFA in filmmaking at Columbia University.
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Macias, Brett (music, Tuesday) - wrote music for his first musical, Three for a Match, in high school. He’s composed music for Webster University, the Encores! Organization, and the St. Louis Repertory Theatre. He also wrote the book and contributed music to the St. Louis Gay Men’s Chorus’ musical, Broadway Bound! At NYU's Graduate Musical Theatre Program, Brett wrote the music for Fishing the Moon, The Lavatory, and Tuesday.
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May, David (book, Olsen Terror) - David May has been living in New York for about a year now, writing and studying languages. A veteran waiter and bank teller, he graduated from Northwestern University, where he received a major grant for his original play, Hangin' Out. He conceived the idea for Olsen Terror with friend George Newman.
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McGuire, Janine (music/lyrics, Wake Her Up ) - was that weird kid who wrote musicals instead of doing normal things. She studied music at Columbia and founded a musical theater writing organization there. Favorite projects include her "rock/theater experience" The Band Behind The Curtain and managing rock band Van Davis. She has interned on Caroline, or Change and The Lion King and now works at Disney Theatrical Productions.
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Merritt, Kevin (book/direction, The Victor Woo Project) - Kevin was a senior talent coordinator for CBS's 75th Anniversary, the Tony Awards, and the Democratic National Convention. He served as assistant director for the National Tour of R&H Cinderella and MTC's workshop of The Wild Party. Currently he's working on the NFL Kickoff, VH1's HipHopHonors and the development of a flame-throwing pipe organ powered by dancing for the Burning Man Festival.
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Mirto, Chris (production, Olsen Terror ) - recently finished performing in Richard Foreman's The God's Are Pounding My Head. Mirto has directed work at PS 122, Evidence Room (LA) and Theatre of Note (LA). Recent New York productions include Nicky Silvers' Pterodactyls and The Lovers by Brian Friel. In the upcoming year, Chris will be producing Jacqueline Wright's Eat Me and directing her play Bing for Ostara Theater Company.
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Murphy, Caroline (book/lyrics, Tuesday) - received her BA in Theatre and Philosophy from Hampshire College. Her plays have been shown at Hampshire College, Shakespeare and Company (the Berkshires), the Here Arts Center in New York City, as well as in the NY Intl. Fringe Fest and the Philadelphia Fringe Fest. At NYU's Graduate Musical Theater Program, Caroline co-wrote Fishing The Moon, Branded and Graced, and Tuesday.
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Ortiz, Ricardo (music/book/lyrics, Eggmobile) - has been writing and performing music for the past twenty years in Puerto Rico, New Orleans, and New York City. He has worked as a bassist for various rock bands including TK and The Allmighty Buck, and was musical director for the Feed The Herd (from Robert and The Dawn). He is presently performing songs from his new spanish rock opera La Batutera.
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Paul, Emily (book, Wake Her Up) - graduated from New York University two years ago, where she studied Dramatic Writing and Mythology. Her short play, The Shocker Show, was recently seen as a finalist in NYC's 8 Minute Madness Playwright's Festival. Emily also freelances for an online entertainment magazine.
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Peters, Rachel (music, Only Children ) - holds an MFA in Musical Theatre Writing from the Tisch School of the Arts and a double BA in music and theatre from Brandeis University. Other works include settings of Mamet and Roald Dahl, f2m, Apis mellifera, and Public Domain, which was performed at NOMTI’s Birth of a Musical Festival. Rachel is working with librettist Susan Bernfield on Jumping Songs.
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Plotkin, Gary (music/book/lyrics, BFG) - GARY PLOTKIN, aside from his musical based on Roald Dahl’s The BFG, is co-writing an original musical, The Texas Tango. Previously, he wrote a musical of Columbia Pictures’ The Front. He also has written music for Herbert Mark Newman Theater’s Crossing Lines and Midsummer Night’s Dream, Paramount Pictures’ Funny About Love, and an independently produced film, Tom’s Midnight Garden.
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So, Kevin (music/lyrics, The Victor Woo Project) - Performing almost 200 shows per year since 1995, Kevin So has made a name for himself as a boundary-stretching singer/songwriter. So's original blend of pop, rhythm & blues, and hip hop has garnered the attention and praise from Billy Bragg, Martin Sexton, Mary Lou Lord, Richie Havens, David Wilcox, and most recently Keb Mo.
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Teitlebaum, Sherry (direction, Pearl's Gone Blue) - works as a director and acting coach. She has directed over 60 shows in Off-Off Broadway and regional venues. An alumna of The Lincoln Center Theater Directors’ Lab, Sherry trained with theater visionaries Tina Packer, Anne Bogart and Joe Chaikin. Pearl marks her sixth collaboration with a music theater team to develop original work.
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Tom Wojtunik - (direction, Tuesday) directed and co-created The Miss Education of Jenna Bush, starring Melissa Rauch, in the NY International Fringe Festival (Best Solo Show & Audience Favorite). He was a member of the LCT Directors' Lab in June, where he directed a reading of Love Is Good. He produced the 2002 Festival of New Musicals for the NAMT and is a member of Emerging Artists Theatre.
Wells, Chris (book/lyrics, Olsen Terror ) - a professional actor for over twenty years and creative artist, Wells aspires to create performances that exist at the crossroads of the sacred and the profane, the popular and the profound, hoping to find meaning in the trivia of the modern world. Previous work includes Liberty!; Nowhere to Run, a Buddhist pop-opera; and The Secret City, where art is liturgy and artists are holy people.
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Zimmerman, Jay Alan (music/book/lyrics, Deaf Man Mocking) - Music commissions: Edinburgh FRINGE FIRST winners Booth and Our Brutus, Grand Prix International Video Danse winner Do Not Call It Fixity, and First Run Fest. Best Score winner The Last Leaf. Original works: award-winning film
musicals Love Burns and Pawns, multimedia show Evil Eye (Dixon Place/Makor), and song cycle Punctuated Thoughts (Tom O’Horgan, director). Jay's become deaf to speech but still hears some music. www.JayAlanZimmerman.com.
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